----- B I O G R A P H Y  -----



           Kira was born to a half-black, half-white father and a Latino mother. As you might imagine, the family faced a fair amount of prejudice due to its mixed heritage. Mother Maria, an opera singer and vocal coach (now agent), was disowned by her family when she married Steven Bishop, an aeronautical engineer (now principal). Over the years, the couple had various atrocities waged against them by bigots, including having their cars blown up and their dogs poisoned. The marriage crumbled under the strain of such malicious events, and the couple divorced when Kira was 9 years old. Kira's younger brother moved in with their father, and her older brother was soon off to college, leaving just Kira at home with a mother who struggled to make ends meet, and a new born sister.
 
Maria Alexander's vocation qualified her to truly "discover" her daughter's talent. "From the time Kira was a tiny girl," she recalled, "she sang on true pitch. She was able to hear a sound and duplicate it exactly." The proud mother nurtured her daughter's talent by coaching her at home, all the while trying not to force the issue too much. Kira sang for friends, and performed in talent shows and at folk-music festivals; by the time she entered junior high, she had begun to write her own songs. In high school, she started commuting to Manhattan in order to study music with professionals, and upon her graduation, in 1999, she moved to the city. She paid the rent on her new house by working as a model (she claims to have been turned down from twenty businesses because of her "attitude") and part-time backup singer. It was this last gig, backing rhythm-and-blues singer Brenda K. Starr, that brought Kira close enough to Selena's fater to slip him her tape. After only ten months of slumming in the big city, Kira Bishop was about to become a star.
Kira's 1999 eponymous Mariposa album created quite a stir, largely because of the incredible virtuosity of her voice, which many say is rivaled only by that of Selena. Critics babbled on and on about her remarkable octave-dancing (Kira has a vocal range of between five and seven octaves, based on varying reports), but generally agreed that there wasn't much substance to what she was saying. These days, Kira co-writes most of her songs, but her debut album was penned by professional hit-makers and it dripped with a cloying sweetness. However, nothing the critics said mattered much after the album sold over six million copies and made Kira Bishop an overnight sensation: two singles from the album shot to No. 1, and the music community awarded the newcomer with a gaggle of Grammys for her impressive debut.
Meanwhile, back at the studio, love had blossomed between Kira and her agents son, Jose. Home-wrecking advanced apace of recording, as Kira sent a boyfriend packing and Jose did the same with his girlfriend. Kira's Mariposa album (1999) racked up sales in the millions, but her most impressive production was her relationship with Jose.

Kira's post-relationship albums (1994's Merry Christmas) offered more chart-dominating, syrupy pop. The generally well-regarded Merry Christmas earned her six Grammy nominations and helped push her career sales to the eighty-million mark. Her status as the biggest-selling female recording artist of the nineties makes you wonder what heights she would be capable of scaling if her talent weren't consistently shoe-horned by producers into predictable, harmless harmony. But if she has thus far been prevented from using her music to tap into and communicate the considerable angst of her childhood, the tejano princess has acknowledged it in other ways--in 1999, Kira donated $1 million to a Santo Domingo camp that provides summer vacations for disadvantaged inner-city kids. The camp was subsequently renamed Camp Kira.
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